Charlie Parker with Strings. Easy to Love. Linda Lawson. Either Way: From Marilyn to Ella. Anne Ducros. Erwin Helfer Way.
Erwin Helfer. Except… Sometimes. Molly Ringwald. Great American Songbook. Rebecca Luker. Johnny Mercer's I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus Shop, Vol. Johnny Mercer. Let's Face the Music and Dance. Willie Nelson. Paris Ahmad Jamal. Philip Chaffin. Sweet Relief, Vol. The Capitol Recordings, Vol.
Dean Martin. The Concert at the Pleyel Paris The Standards. Gloria Estefan. The Ballads of the Everly Brothers. The Charioteers Collection: The Charioteers. The Classics. The Collection. Andy Williams. The Complete Decca Recordings. Mark Murphy. Composer, Text. The Prestige Years. Sonny Rollins. The Princess of Soul. The Voice of Jazz. The Coasters. We Partyin' Traditional Style. Kermit Ruffins.
Ah, Men! The Boys of Broadway. Betty Buckley. Rod Stewart. Beach Party: Cocktail Beach Hits. Big Band. John I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus. Bing Sings Warsaw Concerto (1941) - Richard Addinsell - Music of Richard Addinsell Great American Songbook. Bing Crosby. Chasing a Dream.
Chuck Total Eclipse Of Your Heart - Various - 25 Jahre Internationale Pop Musik 1983. Dakota Staton.
Dee Does Broadway. Dee Snider. Heaven's Open. Greetje Kauffeld. I'll Take Romance. Steve Tyrell. I'm Feeling Good! Standards in Swing. Lloyd Price. I've Got Your Number. Tom Wopat. Toots Thielemans. Jazz Tastings: Light Jazz Piano. Stephen Kummer. Legends: Hello Dolly. Live: Still Chasin' the Bird. Lost and Lookin'. Aria Prame. Louis: The Best of Louis Armstrong. Love Songs: Romantic Songs from the Past. Lush Life. Charlie Wood. Mezzrow and Bechet I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus.
Music of Your Life. One World Live and in England. Rattle Them Bones. Big Bad Voodoo Daddy. Saturday Night Party: Dixieland Party. Shall We Dance? Sign of Your Love. Jason Donovan. Strictly Romancin'. Catherine Russell. Swinging on a Star. The Big Broadcast, Vol. The Complete Conniff. The Genius of the Electric Guitar.
Charlie Christian. The Glenn Miller Formula, Vol. The Album Collection. Amy Winehouse. The Best Thing for You. John Proulx. The Billie Holiday Collection: The Billy May Collection: Billy May. The Capitol Vaults Jazz Series.
Gene Krupa. Paul Desmond. The Complete Studio Albums Collection Weary Blues - Fatty George - Two Sides Of Fatty George: Jazz Old And New Ella Fitzgerald Collection: The End of a Love Affair.
Art Blakey. The High Priestess of Popular Song. Barbara Lea. The Imperial Singles, Vol. Tracie Bennett. Up in Central Park. Viva Duets. At the Movies. Barney's Version. Chicago Concert Remastered. Cocktail Party Jazz. Diana: His Greatest Hits.
Paul Anka. Duets II. Eight Classic Albums. Julie London. Free Spirit. Roland Hanna. Helene Fischer. Gentlemen Are Hard to Find. Martin Lechner. Jenda Derringer. In Concert on Broadway. Harry Connick. Keep It to Yourself. Laura Ainsworth. Last Call…? Let's Make a Better World! Live in Leipzig. James Booker. Live At the Players. Aaron Diehl. Live at Town Hall. Live at the Supper Club: Peggy Lee.
Man With the Hat. Melancholy Baby. Jaimee Paul. Nothin' But Love. Joseph Leo Bwarie. Stan Getz. Rebirth of New Orleans. Rebirth Brass Band. Satchmo: Ambassador of Jazz. Sinatra: Best of the Best. Sonny's Conception. Sonny Clark. The Best of for Lovers.
The Breeze and I. Champian Fulton. Bobby Hackett. The Armstrong Box. The Art of the Trio Recordings: Brad Mehldau. The Best Of The Great American Songbook. The Big Broadcast. The Complete American Masters The Complete Masters I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus Complete Reprise Studio Recordings. Sam Cooke. The Sinatra Project, Vol. Michael Feinstein. Twelve Nights in Hollywood, Vols. World Class Brilliant. Hal Schaefer. You'll See. Holli Ross.
You're It! The H2 Big Band. Apple Box Set. Blue Note TSF. Jimmy Smith. Collectables Classics: The Four Lads. The Four Lads.
Collector's Edition [DVD]. Diana Krall. Liza Minnelli. Debbie [Hallmark]. Discotheque Ideale: 25 Original Jazz Albums. Douglas on Blue Note. Fine Romance. Goodbye, Glenn Miller Strings. It's a Shame About Gemma Ray. Gemma Ray.
Latin Boss: The Centenary Collection. Edmundo Ros. Lena Horne [Suite ]. Lena Horne. Lionel Hampton [Suite ]. Lionel Hampton. Lost Tracks: Love Stories. Bill Easley. Nikki Yanofsky. One Take, Vol. Original Album Series. Bobby Darin. Original Hits: Jazz. Oscar Peterson. Personalita, Caterina Valente in Italia Caterina Valente. Rare EP Tracks Cliff Richard. Sings the Great American Songbook [Acrobat]. Solo Big Band. Teddy Wilson.
Carmen McRae. Standards: Great Songs Great Performances. Pat Boone. That Lucky Old Sun. Povl Dissing. Dave Brubeck. The Great Concerts: Cornell University Barry Manilow. Those Lazy, Crazy Days Through the Years, Vol. We Got This. Chuck Brown. We'll Meet Again. Carol Sloane. Yale University Archives, Vol. Paul Weston. A Sentimental Romance. Bruce Abbott. A Tribute to Louis Armstrong. Two of a Kind. All That Jive. All of You. Denis Solee. And Now I Swing.
Chita Rivera. Laurie Johnson. At Last. Lynda Carter. Basie Swings Standards. Beyond Organic. La Familia Torelli. Blues: Definitive Collection. John McGlinn. Classic Tracks. Fats Navarro. I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus Live at Birdland: May 17, Damian With Brian Lynch and Friends.
Don't Go to Strangers. Colleen McNabb. In his own trio, he explores standards, Brazilian music, blues and his Israeli roots. Stafford is recognized as an incredibly gifted and versatile player, he combines a deep love of melody with his own brand of spirited and adventurous lyricism. Stafford is renowned in the jazz world as an educator, performer and leader and Sandstrand - Gaetano - Past Days E.P. received August 7, 4:15 - Jon Bon Jovi - Destination Anywhere award nominations and accolades.
John Fedchock has been a mainstay of the New York jazz scene for decades. The revered bandleader and master of the trombone has been wowing audiences and fellow musicians since his debut with the Woody Herman Orchestra in Renowned for his dense voicings, thick ensemble writing and unique, swinging lines, John also is a celebrated arranger and composer destined to make a lasting impression on big band music. Music can only be described with words, but for David Finckmusic is a language all its own.
I listen for all of it. Over the years, David has become one of the most sought-after musicians in Manhattan, equally revered for his work in jazz, popular, Brazilian and classical music.
More recently, David increased his personal vocabulary, transitioning from his role as a bassist and becoming a producer, arranger and songwriter. His skills on the electric and acoustic bass have been featured on over recordings and earned him a spot on the international tour of jazz fusion group Steps Ahead. Over the course of his career, Tom has released four solo albums as well. While following in the footsteps of his father and grandfather, John Allred has made a pretty big name for himself along the way.
Today, he continues appearing with the orchestra under the direction of Frank Tiberi. John also has toured with the Harry Connick Jr. Michael was inspired to pursue music as a career by his father, drummer Roberto Rodriguez. The Jazz Cruise is privileged to include an Artist of this caliber in its lineup.
After eight great years, Rickey decided I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus pursue a solo career as both a leader and a sideman. Currently, he performs live frequently leading his own quartet and quintet as well as performing and recording with The Clayton-Hamilton Jazz Orchestra and the Frank Capp Juggernaut Band. Rickey Passion Of Lovers - Bauhaus - Mask over original compositions and extensive experience arranging for quartets and quintets.
His latest recording, Pineapple Delight, consists of all original compositions arranged for a quintet. When Antonio Hart was in ninth grade, the music and art programs were cut out of the public schools. Antonio was devastated because the one thing that made school interesting was taken away from him.
Hart had a friend that attended the then new Baltimore School for the Performing Arts, and somehow got Antonio an audition. Most of the students that attended this school had been playing music all of their lives and had private instruction.
This did not stop Antonio because he knew this would be the place for him, and one week to the day after his audition he received a transfer letter in the mail; he had been accepted! Hart considers this the beginning of his life as a young man and musician. He made many friends at Berklee, but the most important was Roy Hargrove.
Hart considers Hargrove to be his brother in life and music. There he had the opportunity to learn from the great Jimmy Heath and Donald Byrd. Hart felt blessed and honored when Mr.
Lauded as one of the top jazz pianists of his generation, Sullivan Fortner is recognized for his virtuosic technique and captivating performances. He is an uncommonly gifted soloist and musical improviser with a steady stream of unpredictably creative While My Guitar Gently Weeps - The Beatles - The Beatles thoughts and the virtuosity to deliver them.
Also a renowned educator, he is on a tireless mission to foster a lively and deep connection between music and people, whether they be playing or listening to it.
To that end, he is extremely passionate about bringing jazz to new audiences and inspiring students to be as individualistic and imaginative as possible. Jeb Patton graduated magna cum laude with a Bachelor of Arts and Sciences degree with a major in music from Duke University.
His talent has earned him international acclaim and presented the New York native with opportunities to perform in Canada, Ireland, Australia and the U. Dick Golden is a year broadcast veteran and beloved host of popular radio programs on jazz and the Great American Songbook. Dick has lectured at educational seminars for The Smithsonian Associates, and has hosted concerts for The Voice of America as well as programs with U.
Service Bands in D. Dick will give lectures, conduct interviews and host various events and film shows during the cruise. The Jazz Cruise is proud to include Dick Golden as part of its team.
The Jazz Cruise is now fully subscribed. Click here to Join The Waitlist. For nearly 20 years, The Jazz Cruise has presented the very best in straight ahead jazz. With over hours of music, jazz musicians and a legion of loyal guests from all over the world, The Jazz Cruise is now one of the most important jazz events of the year. To join the Wait List, click here.
Dianne Reeves. Christian McBride. Arturo Sandoval. Kurt Elling. Shelly Berg Music Director. John Clayton Big Band Director.
When Your Lover Has Gone 6. Candy 7. Gladys Alternative Take. Shopping Cart. Contact Us. Stanley Newcomb Kenton December 15, — August 25, was an American popular music and jazz artist. As a pianist I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Pluscomposerarranger and band leader he led an innovative and influential jazz orchestra for almost four decades.
Though Kenton had several pop hits from the early s into the s, his music was always forward looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in at Indiana University.
Stan Kenton was born on December 15,in Wichita, Kansas ; he had two sisters Beulah and Erma Mae born three and eight years after him. Kenton started learning piano as a teen from a local pianist and organist. When he was around 15 and in high school, pianist and arranger Ralph Yaw introduced him to the music of Louis Armstong and Earl Hines. He graduated from high school in By the age of 16, Kenton was already playing a regular solo piano gig at a local hamburger eatery for 50 cents a night plus tips; during that time he had his own performing group named "The Bell-Tones".
His first arrangement was written during this time for a local eight-piece band that played in nearby Long Beach. In April Gus Arnheim was reorganizing his band into the style of Benny Goodman 's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of Once he departed from Gus Arnheim 's group, Kenton went back to study with private teachers on both the piano and in composition.
In Kenton would join Vido Musso in a short-lived band but a very educational experience for him. From the core of this group come the line up of the first Stan Kenton groups of the s. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the s.
InKenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist.
Although there were no "name" musicians in his first band with the possible exception of bassist Howard Rumsey and trumpeter Chico AlvarezKenton spent the summer of playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA.
Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the —44 season was an unhappy experience; Les Brown permanently took Kenton's place. Kenton's first appearance in New York was in February at the Roseland Ballroomwith the marquee featuring an endorsement by I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus Astaire. Bythe band had Io Sono Un Rastaman - Various - Reggae Radio Station. Given free rein by Kenton, Rugolo experimented.
Although Kenton himself was already trying experimental scores prior to Rugolo's tenure, it was Rugolo who brought extra jazz and classical influences much needed to move the band forward artistically.
During his first six months on the staff, Rugolo tried to copy Kenton's sound; on encouragement from the leader he explored his own voice. By incorporating compositional techniques borrowed from the modern classical music he studied, Rugolo was a key part of one of Kenton's most fertile and creative periods. After a string of mostly arrangements, Rugolo turned out three originals that Kenton featured on the band's first album in Artistry in Rhythm : "Artistry in Percussion", "Safranski" and "Artistry in Bolero".
Added to this mix came "Machito", "Rhythm Incorporated", "Monotony" and "Interlude" in early though some were not recorded until later in the year. These compositions, along with June Christy 's voice, came to define the Artistry in Rhythm band. Afro-Cuban writing was added to the Kenton book with compositions like Rugolo's "Machito.
The Artistry in Rhythm ensemble was a formative band, with outstanding I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus. By earlythe Stan Kenton Orchestra had reached a high point of financial and popular success.
They played in the best theaters and ballrooms in America and numerous hit records. Dances at the many ballrooms were typically four hours a night and theater dates generally involved playing mini concerts between each showing of the movie. This was sometimes five or six a day, stretching from morning to late night. Most days not actually playing were spent in buses or cars.
Days I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus from performing were rare. For Stan Kenton they just allowed for more record signing, radio station interviews, and advertising for Capitol Records. Due to the financial and personal demands, following an April performance in Tuscaloosahe broke up Tomorrow - The Foundations - Rocking The Foundations Artistry in Rhythm incarnation of Kenton ensembles.
After a hiatus of five months, Kenton formed a new, larger ensemble to present Concerts in Progressive Jazz. This goal proved mostly obtainable but the band had to still fill in its schedule by booking dances and movie theater jobs, especially over the summer. Pete Rugolo composed and arranged the great bulk of the new music; Kenton declared these works to be Progressive Jazz. A student of famed composer and educator Russ GarciaBob Graettinger wrote numerous works for the band starting with his composition Thermopylae.
His ground-breaking album City of Glass would be recorded by Kenton; works created from Ken Hannawho began the tour as a trumpet player, contributed a few compositions to the new band, including Tiare and Somnambulism. Kenton contributed no new scores to the Progressive Jazz band, although several of his older works were performed on concerts, including Concerto to End All Concertos, Eager Beaver, Opus in Pastels, and Artistry in Rhythm.
The addition of a full-time bongo player and a Brazilian guitarist in the band enabled Kenton's cadre of composers to explore Afro-Latin rhythms to far greater possibilities. The Progressive Jazz period lasted 14 months, beginning on September 24,when the Stan Kenton Orchestra played a concert at the Rendezvous Ballroom. The band produced only one album and a handful of singles, due to a recording ban by the American Federation of Musicians that lasted the entirety of Many sidemen from the Artistry band returned, but there were significant changes.
Both were firsts for the Kenton band, or any jazz band for that matter. The I Was Doing All Right - Stan Getz - All-Star Groups: Three Classic Albums Plus section included returnees Eddie Safranski bass and Shelly Manne drumsboth destined to win first place Down Beat awards. Al Porcino was added to the already powerhouse section. Conte Candoli joined the band, replacing Porcino, in February Kai Windingstar trombonist of the Artistry in Rhythm band would not be a part of the Progressive Jazz era, except for a few dates on which he subbed.
Milt Bernhart came in on lead trombone. And Bart Varsalona returned on bass trombone. Bernhart's first big solo with the Kenton band proved to be a major hit, The Peanut Vendor. The saxophone section was much improved and modernized. Returning saxophonists included baritone Bob Gioga, holding down his chair since the very start, and Bob Cooper on tenor. With Vido Musso 's departure, Cooper and his modernist sound became the featured tenor soloist.
Art Pepper came on as second alto, the "jazz" chair. And the new lead alto was George Weidler. This was literally a band of all-stars. They received five first place awards in the Down Beat poll at the end of and similar awards from the other magazines. The arrangers continued to push the limits of these superb instrumentalists in their compositions.
Works from this period are more sophisticated than those written for the Artistry band, and are some of the first and most successful " third stream " compositions.
Kenton's band was the first to present a concert in the famous outdoor arena, the Hollywood Bowl. His concert there on June 12, drew more than 15, people, and was both an artistic and commercial success.
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