The first is a relaxed and harmonically rich performance with Barney Kessel on guitar. Guitarist Burrell is widely known as a definitive interpreter of Ellington material. However, the focal point of this performance is the underrated Ernie Andrewswhose delightful vocal delivery steals the show.
Getting Started. Music and Lyrics Analysis. Jazz History Notes. Reading and Research. Free Chord Changes for this Tune. Origin and Chart Information. Video Playlist. More on Duke Ellington at JazzBiographies. More information on this tune Godine Publisher Hardcover: pages 1 paragraph including the following types of information: lyric analysis. Thomas S. Hischak The Tin Pan Alley Song Encyclopedia Greenwood Dont Get Around Much Anymore - Various - The Swing Years Hardcover: pages 1 paragraph including the following types of information: film productions, history and performers.
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Some singers have tenuous ties to Deek Watson's or Charlie Fuqua's offshoot groups; many, with no credentials whatsoever, claim to be original members. In the Ink Spots became the first Los Días Por Vivir - Juan Carlos Baglietto - Baglietto & Compañía people to appear on television; then in they continued to be television pioneers by becoming the first black people to appear on Ed Sullivan's successful TV show.
The clip and outtakes can be found for viewing on various websites. This footage can be obtained by British Pathe. In Snader Telescriptions produced five "soundies" also known as music videos of the Ink Spots.
Recordings by the Ink Spots have been featured in the popular Fallout video game franchise. Their recording of "Maybe" was used as the opening theme of Falloutas well as in the epilogue. Still others were included in Mafia II and on the in-game radio stations in L. From Wikipedia, the free encyclopedia. American pop vocal band. Victor Decca. Main article: If I Didn't Care. This section needs additional citations for verification.
The Ink Spots in It was essentially a vehicle for selling bootlegged liquor. The audience were exclusively white, and performers and staff were all black. They were strictly Dont Get Around Much Anymore - Various - The Swing Years permitted to mix with the clientele. Racism and Segregation The Cotton Club depicted black people as the noble savages, often using themes such as plantation workers or wild jungles.
Duke picked up on this and used it as inspiration for his music. But beneath the surface, his music was commenting on the duplicity of segregation. Each movement is subdivided and given a title representing moments in black history.
It was only performed a handful of times as a whole work, it was then performed only in smaller sections. Ellington was quoted at one concert as saying. Wave - The Oscar Peterson Trio - The Good Life Band Duke Ellington was a highly skilled pianist but his instrumental arrangements were what made his music truly memorable.
The Cotton Club Orchestra consisted of the best musicians in Harlem, many of them famous soloists in their own rights.
Ellington used their individual styles and abilities with skill to create a style of music that was unique and inspirational, influencing musicians across the country via the radio broadcasts and eventually the world. Listen out for: The individual instruments Dont Get Around Much Anymore - Various - The Swing Years the personalities of the performers behind them.
Brass players singing into their instruments The subtlety of the drums and bass compared to the rest of the instruments with some exceptions of course. Sometimes the parts are equal, and sometimes one will be the leader and others play fills between their lines.
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